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I’m going to take my time here, so I’ll put the summary first: BUY THESE WALT STANCHFIELD BOOKS! Drawn to Life: 20 Golden Years of Disney Master Classes, Volume 1: The Walt Stanchfield Lectures Drawn to Life: 20 Golden Years of Disney Master Classes, Volume 2: The Walt Stanchfield Lectures Ok, now for the long version… In 1994, during my first week as an intern at Disney, everything was magic to me. They had a shelf full of fresh (and expensive) animation paper for anyone to use.
“I like to draw everything that has a sense of give to it, and a sense of life, and everything that will support the idea of the pose and then build the anatomy on top.” The interview concludes in Part Two where Eric Goldberg shares his extensive knowledge and appreciation for animating as he talks about many of the projects he has directed including Pocahontas, Rhapsody in Blue, and The Monkey’s Tale while the conversation continues to touch down on the details of the craft of animation. Eric is currently animating on the upcoming film The Princess and the Frog .
For many years I’ve kept my eyes open for fast and easy ways to create dynamic timelines and it appears it is a concept who’s time has finally come. There are now many websites that let you create your own custom timelines and after checking out a few, I decided to create an Animation Timeline on Dipity . I’ve added all the Disney, Pixar, Dreamworks and Blue Sky feature films but I’m sure there are many more from years past that can be included.
“So much can be expressed through a walk, you know. I think that’s one of the things that a lot of animators don’t do these days, is actually crack the walk so that it actually says something about the character.” Eric Goldberg is one of the most admired animators working today. After years of developing his craft in the commercial business in London, he exploded on the feature animation scene with the Genie in Aladdin.
“It’s really great trying something out and then seeing how people react and if they don’t kind of react the way you think they should, it’s wise to be honest with yourself and try to analyze the work.” Ken Duncan owns Duncan Studio in Pasadena, CA. Before that he animated Meg in Hercules, Jane in Tarzan, Capt
“To me it’s not about moving stuff around. It’s about thinking about a personality within a story.” The conversation with Ken Duncan continues. In this second part of the interview, Ken talks about some of the his earlier films at Disney
